Askal

Askal sits on a corner of the building: two tall black-framed windows on two walls, taking turns from morning to evening. The blinds are electric, for full darkness when you want it.

Storage is generous, with an oak wardrobe backed by a chest of drawers, and the desk faces the wall, which is where concentration happens. The private bathroom breaks the palette on purpose: deep green vertical tile, brushed nickel fittings, wall-hung toilet.